Showing posts with label streaming. Show all posts
Showing posts with label streaming. Show all posts

Monday, December 12, 2011

the elements of fetal

Birth and Rebirth, Jen Otey

i understand, now,
something i have never understood before.
and i just want to close my eyes and breathe again.
i just want to close my eyes.
i just want to close my eyes.
i just need . . .
i just need . . .
out of my heart, i boot one loaded breath.
something inside me is changing.
something inside me is coming alive.
inside my knee, there is a mouth.
inside my stomach, there are two eyes.
inside my throat, there is an ear.
it hears, something inside me is shifting . . .
the geography of me.
something inside . . . be silent, it hears.
but there is no silence in the aliveness of growth.
there is no deafness in movement from here to there.
someone once told me,
it is not the darkness that we fear.
it is the light that terrifies.
but is this a truth, as truths go?
am i afraid of sensory overload?
fragments of me are seeking new homes,
new places to call shelter.
i hunch my back in fear.
hunch?
cave.
cave, as in a primitive place of shelter?
cave, as in bow.
bow, as in something you wear
around your neck or in your hair?
bow, as in curl.
curl?
curl up, fetally.
fetally?
an extension of fetal,
that condition in which we bob, anesthetized.
fetal, what we are before the darkness descends.
fetal, our true shelter, our true home.
fetal? fatal, if not delivered properly.
delivered with decorum,
like that man’s haloed head, delivered on a plate.
plate, as in something you eat from?
plate, as in to cover with a precious element,
to beautify the tarnish and make it glow.
but . . . enough now.
i curl into myself for comfort.
i curl . . .
but even curling is a challenge.
this red tide is turning.
this moon . . . blood-red moon.
pulling my tiny, wrinkled face . . . all eyes . . .
enormous, muddled eyes.
flesh stitching itself over bones.
not enough air.
pulling me into the light.
bringing me inside.
bringing me back to fetal,
where i just need is all i know.

Thursday, November 4, 2010

of secrets... and scars

Woman's Back by Maya Kulenovic

my love… my love
i’ve something to confess
something to show
turn on the light
though you can feel it with your fingers
turn on the light… and look
here is my back
lovely… soft… silky
like polished marble
warm… smooth… flowing
like liquid gold
yet… come closer, my love
and you will see
a cut that i can no longer reach
sculpted… thin… sharp
can you see it, my love?
the blood inside it dried long ago
but you can still feel it
you can feel it with your touch, my love
touch your finger gently to it
touch your finger to… my scar
a cut in the flesh of my back
no… not where you are looking
look lower… my love
and you will see it
gentle… obscure… but present
you see it… i know you do
an electric shock has fired beneath your skin
a tension… a confusion
a throbbing in your blood
why are you silent, my love?
there is a sorrow inside your eyes
a fiery sorrow
while a chill
and blue
radiance
fill
this november sky
your stabbing eyes
yes… stabbing, now
carry a weapon i have not seen before
a weapon that cuts more deeply
cuts… the surface of my skin… to my veins
cuts… the surface of my Self… to my soul
and my instinct, my love
my instinct is to turn away from you
to distance my Self
as you have distanced yours
what is this i see in your eyes, my love?
what is this look of… alienation?
angst?
illusion?
an illusion more illusory than fantasy
and this absence of certainty
i don’t know…
a secret, perhaps?
one i should not decipher
one you will not confess
but, look… look, my love
i know you don’t want to
but, look
you have been expecting… and denying
at the very same time
look… and listen
i could have fabricated one million lies
but i am filled with truth, my love
my truth might have one million colors
but it is mine, my love
i do not disown it
does this not matter?
does it not absolve?
oh, no… my love
do not open the door
i will open it for you
for… should you open it yourself
you would slay me
you see... with your love
i felt as though i was remaking the universe
but, then
even the omnipotent are imperfect
and i
i have revealed my imperfection
to you
but, no
do not turn off the light before you go
truth is more acute in the darkness
come, my love
here is my back
my back that once surrendered to your hands
...
do not say that, my love
do not say that my back has surrendered
to illicit hands
for full surrender was to your hands
and to your hands alone
bring those hands, then, my love
you have seen… but not touched… my scar
it is too late to try and heal it
it is too futile to try and erase it
but maybe… with your hands… you can caress it
and bless it
with forgiveness… and absolution
i have danced with fire
and my body was licked by tongues of flame
but… my body… is still whole, my love
and here… i am showing you my scar
does this not matter?
does it not absolve?
i beseech you, my love
come to me
and lay with me
we will but speak, my love
my lips do know how to speak 
without caressing
and, though i have a scar
my back is still
lovely… soft… silky
like polished marble
warm… smooth… flowing
like liquid gold
can you not forgive one scar, my love?
it was a miscarried intention
a superficial incision
your cuts go wider
your scars go deeper
no
not the scars your hands implanted upon my skin
but the scars another has implanted upon yours
yes, i have seen them
but… please do forgive my tears
they are miscarried intentions, too
i do not mean to confuse
i do not mean to deceive
i am not crying
see?
here are my eyes
dry of tears
but
can you not forgive one imperfection, my love?
i have forgiven so many scars
but, no
do not open the door
i will open it for you
i am not crying
see?
here are my eyes
dry of tears
here are my lips
trembling with truth
here is the door
open for your denial
and here is my back
imperfect… my love
imperfect
but yours

Thursday, July 22, 2010

i accept the silence


"Abstraction White Rose" by Georgia O'Keeffe

silent
my dead grandmother
forever silent
and cold
and alone
but there are secrets to be shared
and confidences to be breeched
and promises to be broken
you come to me
you read me your letters
her letters
letters returned
unopened
unanswered
and you tell me
your mother has a black heart
and
glass
your eyes
glass filmed over
by gentle breaths in unforgiving cold
and glass
the wall that separates us
we can see
but not touch
we can look
eyes drifting
desiring
and our hands can reach out
for intimacies that can no longer be realized
your mother has always scorned affection
you say
and my heart wants to jump to my mother’s defense
maybe out of fear that she will hear
from her place so far away
this mute conversation
that gouges loyalty in the throat
i want to tell you about those times
my mother had looked at your black and white photo
hanging on her living room wall
and said she looked like the actress in that old movie
the white rose
but i recognize the past tense
and the word old
is a cloud over a full and beaming moon
i want to tell you my mother
has always been affectionate
but your daughter and my mother
though the same person in appearance
are two different women in essence
so i sit on my chair
in silence
and see you as if through a peeling mirror
mirror
the back of your china cabinet
where i looked at myself as a child
amidst the glimmer of french porcelain
and i counted my freckles as if they were coins
and i thought i could fly
and i remember running down the hill
outside your house
running breathless and effortless
the ground rising like slow motion
rising to meet me
my heart lifting
bloodless and fleshless
feeling like if i stepped into the air
i could fly
before doubt grabbed a hold of me
and wed me to the asphalt
you cleansed my face
of blood and shards of macadam
and your voice was gentle and steady
as you lulled me to sleep that night
and i sit with you now
and your hand is cold
and your face is ice
but even in death you are so beautiful
and tears stream from your eyes
and i try to tell your tears
i try to tell them you are not dead
but they quiet me and tell me about
tormented spirits and haunted souls
and glass
your body
and mirror
your soul
and you are here and you are not
light and weightless
like a shadow on a wall
and i want to say things
grandmama
as if this moment does not know
the meaning of itself
as if to cover the silence
but the words shun my lips
so we sit still
you
with me
with you
and time accordions between us
and we accept the silence
and we close our eyes
and i see
your extinguishing presence
sharp as a pinprick to a blind woman’s finger
and there are yet gulfs to bridge
and labyrinths to unravel
but you speak
as you go
only
of the thirst of a mother
for her daughter’s love
and all of what you say
you say not with your lips
but with your eyes
and all of your words
i hear with my heart
because death and absence
are not an end
but an eternity
and so
i accept the silence

Saturday, April 17, 2010

zar




they said she was possessed by demons. they said she challenged the spirits. they sat in the parlor and clucked and gossiped about someone’s sister and someone’s daughter. they said she was a distant relative. they said we used to play together as children. that we measured the breadth of the sky with our hands. and played dress-up in our mothers’ wardrobes. but that didn’t matter anymore. that was before the demons. that was before she screamed in the bathroom. that was before she called them out of the dark. before the headaches and the muteness and the doctors and the psychologists and the sheikhs and the priests. and the evening calls to prayer rang in the night. it was time for the zar to begin. in auntie rosa’s courtyard. in the dark of cairo illuminated by kerosene lamps. in a perimeter decorated with burning candles whose tongues licked the smoky haze of the air. and there was an altar. right over there. stacked with dry fruit. and roasted nuts. and a jug of cool rosewater. they said the fruit and nuts were an offering. one has to keep the demons satisfied. and the aroma of frankincense and oud swirled around us. all ladies in white gallabeyyas and sheer headscarves. and there was a rooster. a red rooster. he squawked to heaven because he knew. and the one they called kodia. SHE. a mystical woman who communed with the spirits. she came in like the queen of sheba in her gallabeyya of royal blue silk. she blinded us with her light. and her gold-capped teeth that glistened in the night. droplets of liquid fire. and the young lady. that one possessed by the demons. she was brought in like a calf to the slaughter. robed in white from neck to ankle like the bride she was to be. before she became the devil’s bride. eyes lined with black kohl. wrists wrapped with gold and silver amulets. hands and feet painted with red henna. and the voices said oh my soul. how my heart aches for her. look at her skin. like fresh milk. ya habibti helwa wi zayy el amar. she’s as beautiful as the moon. and they said after the blood is shed you have to close your eyes. don’t look at her. don’t challenge the spirits. she challenged the spirits and look at her now. malbousa a’ouzou billah. she’s the devil’s bride. and the men came. with a tambourine and a tabla and a flute and a mangour. and they wore long emerald gallabeyyas with red sashes at their waists. and turban-like scarves around their heads. and their kohl-rimmed eyes were like pools of black oil. and SHE. she whispered something. a prayer or an invocation or a spell. poured a handful of powdered incense over the red-hot coals in that incense burner in the corner. and the coals burned orange and the incense sizzled and the smoke curled up into the air. and the music began. doom tikka tik doom tikka tik doom tikka tik and the kodia’s head was an erratic pendulum doom tikka tik doom tikka tik doom tikka tik and the women swayed in a circle around the altar doom tikka tik doom tikka tik doom tikka tik and the dervishes whirled and whirled doom tikka tik doom tikka tik doom tikka tik and their finger cymbals clanged and the flute wailed and the possessed glided. manic eyes. catatonic limbs. beautiful ghost with a face of skin and bones. and i remembered i remembered how we used to climb that mango tree in my grandmother’s garden and jump over the fence to the neighbor’s side and pick her red roses and run like devils were chasing us and i remembered her this girl this demon girl always quiet always quieter than the rest of us always shy and i remembered how one time we’d made her cry told her her brother was retarded and i remembered how one time we’d made her lie told her to run home and tell her mother salma had fallen off a tree and broken her leg but there was a woman. a woman in black. she held the sacrificial rooster by the wings. grabbed the poor creature so he couldn’t even flutter. and she whirled and whirled and whirled. and the rooster whirled like a weathervane. and the music whirled into the night doom tikka tik doom tikka tik doom tikka tik and there were heads that whirled to the rhythm and there were scarves that swirled around shoulders and there was hair that bounced in the air and there was a voice that howled at the moon and there were eyes that rolled back in their sockets and there was spume that spattered from mouths and there were words mumbled in strange tongues and there was a woman who twitched like a snake on the ground and the circle of dancers bubbled like lava and the possessed was lost in the crowd but a wave of dancers ebbed and there she was thin fragile pale. chest heaving. head rolling. black curls twisting. twisting in the air and the voices said somebody support her somebody catch her before she falls and they hovered and reached and pulled back. and the darawish reached up emerald-clad arms and removed their headdresses and their hair fell in gleaming tresses cascading sheets of midnight black and long locks whirled and whirled and whirled and an agonized scream cut the air and the possessed that one with the demons the one we’d played with as children she crumbled to the ground and the music stopped. and the night was silent. and there was an awkward air. in auntie rosa’s courtyard there was an awkward air. and the sacrifice was brought to the kodia. and there was squawking squawking godawful squawking. and SHE. she slipped a knife out of her brass belt. slid it across the rooster’s neck. swift and bold. and the bird jerked once. and the sacrificial blood flowed crimson red on the white marble floor. and they lifted the possessed. brought her to the brew. dipped her hands into it. guided them to her face her hair her body. and the stench of acrid sweat and oxidizing blood hung in the air like a tumid shroud. and they sprinkled her face with rosewater mayya mayya mayya mayya mayya bismillah bismillah bismillah and she opened her kohl-streaked eyes and let out a scream. a scream that made the blood simmer in our bones. and a lady screamed. screamed a scream from the depths of her womb. screamed a mother’s scream and said oh my child why won’t they let you be? and the women rushed to the mother’s side. the mother of the devil’s bride. god help you. allah ma’aki they said. and under their breath they muttered god protect us from all evil. a’ouzou billah min al shaytan al rajeem. and they held up their palms to ward off the spirits. and the mother said when will my child be freed from these demons? must she die so they can be satisfied? and SHE. she said only god in his infinite power can free her. the sacrifice will satisfy the lust of the demons. but the power belongs to god and him alone. and the mother choked. choked on her sobs and said where is he? nothing is working. not the doctors or the psychologists or the sheikhs or the priests. not the bible or the qur’an or the bedouin incantations. my beautiful daughter is dying and where is god. why does he disappear when i beg his help? why is he deaf to a mother’s prayers? and the women said don’t lose your faith. god will deliver her. this is his promise. just believe in his power and your daughter will be spared. but the mother rolled her head up to the heavens. raked her desperate fingernails over her face. looked out at the invincible darkness. and said. i don’t know what to believe anymore.

Monday, February 22, 2010

stigma

 "Dreams of Flying" by George Grie

after they have gone
i am alone with the words
the words they said
the words i heard
the words i imagined
the words i said
the words they heard
or perhaps did not hear
because they were not listening
though they pretended to listen
and in sinks this feeling
i know it so well
like the brown spot
on the inside of my left step
a beauty spot they call it
a mark i say
this feeling of something
this feeling of nothing
this feeling of a wet whip to the brain
this feeling of a white shock to the eye
and then i dream they will go away
not the whips or the shocks
not the words
but them
i dream they will go away forever
that i may rest with the words alone
and so i sit by myself in this darkness
that is broken by an artificial light
that i have allowed
i sit in this room
and the walls grow taller
and wider
and tighter
i sit in this chair
and the colors deepen
and glow
and pool
i sit
and my shallow inkpot becomes a well
i am a diary filled with words
filled to the brim but not overflowed
and yet locked
and the key discarded
and i dream they will return
not the walls or the colors
but them
i dream they will return
that i may think of something unsaid to say
some words with which to pretend a conversation
but why do i wish my words their own imprisonment
and with this distracting thought
the words are scattered
and my face smarts and my eyes sting
and the moment of my collapsing heart threatens
and i am mortified
with shame and humiliation
though i am with my Self
and She is with me
i am stumped
at catching my Self in this weakness
and my eyes want their explosion
but i do not allow it
i do not allow
this involuntary expression
that deforms a face beyond recognition

because i am afraid to cry

even with my Self
because somehow
if
if i should cry
i might lose a measure of pride
as if this measure
whatever its weight or size
can somehow save me
from the stigma
i do not allow
this involuntary expression
and though a measure of pride is retained
something in my heart is heavy
something in my mind is dark
with the
weight size
of this mark
of this stigma
of these tears unshed

but then comes Love

my love for me
because who will love me like i love my Self
and narcissus loved himself
so what of it
only an imbecile does not know
                        he loved the water too
and i wish i could live
and i wish i could die
and i sit by myself in this darkness
that is broken by an artificial light
that i have allowed
i sit in this room this chair
my tears like rocks in my eyes
and outside the moon sits in the sky
and glows like a polished crystal
but only an imbecile does not know
                        the moon does not glow

and my tears will not flow

no imbecile will see me cry
no imbecile will extend
a mocking finger and pretend
to dry my tears
only to lick my agony
and learn how salty my soul is
no imbecile will touch
no imbecile will know
my stigma is mine alone
hidden
like the brown spot
on the inside of my left step
and i sit with it
and it sits with me
and the walls grow taller
and the colors deepen
and my shallow inkpot becomes a well
and both diary and inkpot overflow

this is my infernal pleasure
this is my delicious license
this is my stigma
and mine alone

Tuesday, January 26, 2010

metastasize

                                             "The Fabulous Racetrack of Death"
                                                                                   by Roberto Matta

it happened again today
i remembered you
though you rarely cross my mind
i don’t know why you did today
cross my mind that is
i think it was the boy that was walking down the hall
with his hairless head bald but not shaved
bald with the sickness that you knew so well
and he walked past me like he didn’t see me
but then he turned around and said hello miss
and i said hello toni
and he smiled that weak smile that he tried so hard to make work
and so i remembered you thierry with your smile
all that time ago
the memories fell on me like warm rain
and i remembered the day that it happened
we were all sitting in french lit class discussing l’étranger
and you kept dropping your pencil on the ground on purpose
just to make us laugh
and dr rizk kept turning from the board and telling you to
stop fooling around and fait attention
then she went around to get one of those pointers she loved to use
and you dropped your pencil again
and when you bent down to pick it up that last time
you banged your head on the bottom of your desk that didn’t budge
didn’t make room for less pain
but sat there solid and allowed you to hit it
and you came in after the weekend with a bandage on your head
and we all thought
how odd it is to need a bandage for a minor bang
but that wasn’t the end of that because after a couple of days
you came in with a larger bandage and said
they’d had to shave off some of your hair
right there where the bandage is you said 
they had to shave so they could stitch
but that wasn’t the end of that because after a couple more days
you came in with your whole head shaved
and wrapped in a large dressing
and we all got scared because this is not normal
but that wasn’t the end of that because after a couple more days
you came in with your whole head wrapped
and the bandage was tied all the way around your chin
and you wrote us a note and said
i can’t talk because it makes my head move
and that was when the darkness started to fall on us
our small group of eight in that french lit class and dr rizk the ninth
eight wannabe scholars who got together with their teacher
to read balzac and zola and maupassant for shits and grins
but that wasn’t the end of that because after a couple more days
thierry
you didn’t come back to school
and this happened in early february and dragged into its end
and i remember it because march was coming up
and i kept wondering
will thierry make it to my birthday party
i was young and selfish and thought of my own wants
and i wanted you there to make me laugh like you always did
so i called your maman and she said you weren’t doing well
but that i could visit you in the hospital
hospital i’d said thierry is in the hospital
so i asked my mother to drive me to the hospital
after school the next day

and i remembered
...
i remembered in drama class when
we went backstage to read our trojan women script
and work on our blocking and then decided to run off
and get a pizza on rd 9 and so we went
running and running and running with the wind in our hair
and the devil in our blood
and caught a cab right outside the school gate
and put together our coins so we could pay the driver
and went to get our pizza
and didn’t have enough money to each get our own
but had enough to buy one pizza and share it
one slice for each of us but back then one slice was enough
and we were all skinny as a rail and food was just food
but it wasn’t even about the pizza thierry
it was about the thrill we shared at having skipped class
and knowing we’d be in trouble ‘cause we’d already been seen by
mr marshall’s assistant as we ran off campus
while she was coming in
and she’d given us a look like i’ve caught you
and we’d looked through her like she was the air
and we’d laughed out loud ‘cause we knew we were getting it
so what the hell might as well live it up now
it wasn’t like we were going to be in less trouble
if we were gone for only half the class
and i remembered in french lit class
when you’d climbed up on a chair
while dr rizk was out in the hall with another teacher
and you’d set the clock above her board ahead 10 minutes
so dr rizk had dismissed us 10 minutes early
and we’d all exploded with laughter
and fell over each other as we ran down the hall
but then one of us had had a change of heart
and said this isn’t right and that one was you thierry
the very one who had changed the clock
and we’d all gone back to class and admitted our deed to dr rizk
and she’d cried and said
why would you do this to me what did i ever do to deserve this
and we’d all been mortified with guilt and gone up to dr rizk
one by one
and hugged her and said we were sorry we’d never do it again
and i remembered the countless times
we’d gotten together to study for those
ridiculous vocab tests dr stein gave us every week
75 words a week plus etymology plus define in your own words
plus two sentences for each word plus bla bla bla
and this happened
it happened
your maman and papa had waited twelve years for you to arrive
twelve years of tests and hopes and shattered dreams
as you had told us
and then i was conceived and then i was born and then i became
as you had told us
and maman and papa were the happiest people in the world
and that had been the end of that story
at that point
but now i was in this hospital room
sickly blue like the color of tired veins beneath parchment skin
and looking down at you
so weak and helpless in your bed that was not your bed
and listening to you as you said
they came and took me in this big ambulance nevine
and watching as you licked your brick-hard lips moist
the lights were crazy nevine
red and blue and red and blue and spinning and spinning
and your maman was sitting on a small chair by the window
her head in her hand
and the door opened and in came the doctor a doctor another doctor
and one of them asked me to leave thierry can you imagine the gall
but your maman said it’s okay she can stay
and the doctor said i’m sorry to inform you madame
but it appears the tumor is beginning to metastasize rapidly
and i’ll tell you this
my mother had made me read the fucking dictionary
every day from the day i was seven until i was seventeen
and in dr stein’s class we’d learned 75 vocab words a week
and even with my dictionary reading and dr stein’s vocab lists
i still didn’t know what the hell metastasize meant
so i reached my hand in my back pocket
and pulled out a pen and scribbled the word
on the inside of my hand because thierry
i didn’t know what the fuck that word meant
but i did know that word sounded pretty damn sinister
and tumor
who had said anything about a tumor
these doctors must be in the wrong room
but no
it seemed
somehow
that small bang on the desk
had triggered some dormant something in your head
or at least that’s what the doctor said
triggered and dormant
and i’d never heard the word trigger 
used outside of the context of a gun
he used the word trigger which
i can no longer hear without thinking of you thierry
and when i realized
when i realized
i remembered
...
all those countless times our small group of eight had held hands
like children
out on our school’s green soccer field under the cairo sun
and bounced around in a circle singing
sur le pont d’avignon
on y danse on y danse
sur le pont d’avignon
on y danse tous en rond
and we’d bounced around
high school seniors going on kindergarten
but i wanted to know what that word meant
metastasize
so i got home and pulled out my worn-out webster’s
with years of my graffiti all over it
i got home and voluntarily picked up that dictionary
and i looked up that word that
the doctor had let slip from his mouth
so swiftly so smoothly
metastasize 
and when i read the definition my mouth fell wide open 
like i was catching flies 
and there you were in your hospital bed that was not your bed 
thinking i don’t know what if you were even thinking anymore
and this happened
it happened
i came back to see you in your hospital room
that was not your room
and you looked at me and said
i want to fly to my silver castle in the sky
and i said
why not a golden castle
it seems a more becoming color don’t you think
and you said
no it’s too bright and in your face
a silver castle suits me just fine
and my heart went doink pinch bleed
because fuck
i was seventeen and you were eighteen
and death was not in our world
or not supposed to be
nor were those needles they had pinned
to your arms and your legs
or those tubes with
clear liquids going in and colored liquids coming out
or those horrifying doctor statements like
sometimes we have to poke several times before finding a vein
and i did not understand why
for the life of me
someone who had a tumor in his head should be
poked all over and bled
and i did not understand why
those doctors answered most of the questions they were asked with
i don’t know
or why the priest that your maman brought over
to pray for you said
i don’t know
or why the holistic healer who came with oils and crystals said
i don’t know
or why you couldn’t come to school anymore
or go swimming anymore
or come to my birthday party
i mean you had a tumor and we all knew you were dying
but why couldn’t they let you die doing what you wanted to do
and this happened
it happened
i came to visit you one day and you were all but gone
laying there with a tube sticking out of your chest
and tubes stuck in your arms and in your legs
and a strange looking pump stuck on your head
does it hurt i said
yes you said
do you cry i said
yes you said but not in front of maman
then
are you afraid of me nevine
do i scare you now
and
just a little i said i’ve never known anyone who… you know…
is dying you asked
yeah i said
i’m tired nevine you said
i’ll let you rest then
and i went
but not before clutching your hand between both of mine
and you asked when i die will it hurt
and it was my turn now to say i don’t know
because i didn’t know
and you asked me when i die where will i go
and i said i don’t know
and you asked me will they bury me underneath the ground
and i said i don’t know
but then
didn’t you say you wanted to fly to your silver castle in the sky
and I cried and you said don’t cry nevine
and you said my name as it should be said
avec un accent aigu sur le premier ‘e’
and i held your hand still and prayed
like i’d only prayed once before
and this happened
it happened
my mama was on her way to hospital to deliver my little sister
and i made a promise that if my mama came back alive if if…
and i had never finished the prayer…
but my mama did come back alive
with my healthy baby sister in tow
and i’d never given that unfinished promise a second thought
but now i prayed for you thierry
while this cancer metastasized and killed you
i prayed and said you were so young and so sweet and
so intelligent
and why you
but it was like my prayer was
falling on deaf ears and blind hearts
even as i was saying it
and it went unanswered
and you were taken away quietly and gently
on a warm and sunny day of may
23 days before we were all supposed to
graduate in the shadow of the sphinx
you were taken away

and i don’t think of you often thierry
but when i do it is always with a memory of your very blue eyes
and the cairo sun shining through your golden hair
and your childlike laughter
and us holding hands
you and me and jéhane and sandrine and
karim and hervé and sherine and tareq
and us going around in a circle on that green soccer field
in the middle of what should be an arid desert
holding hands and singing
sur le pont d’avignon
and i don’t know thierry
if you and i would know one another today
if you were still alive
or if we would be in touch
or if i would remember you or you would remember me
but i do know i remember you every now and then
when i see a boy walking down the hall
with his hairless head bald but not shaved
bald with the sickness that you knew so well
and he walks past me like he doesn’t see me
but then he turns around and says hello miss

you come into my head
you fall on me like warm rain
and when you do i feel that doink pinch bleed in my heart
and i tear up
but then i smile because how could i think of you and not smile
thierry
it would not be possible
and how could i think of you and not sing

we sing 
like children 
who will 
forever sing
and stay
children
forever